Sunday, September 26, 2021

FEAST OF TABERNACLES---- AND LAST DAY OF IT

 Judaism and Feast of Tabernacles

Customs and Traditions - Past and Present



From the book "Festivals of the Jewish Year" by Theodor H.

Gaster, written in 1952/53.


(Remember what you are reading is Judaism, some things correct

and some things not correct. Judaism has many traditions that are

not directly from the Scriptures - Keith Hunt)



THE FEAST OF BOOTHS


The Festival of Ingathering



     Corresponding to the festival of Passover in spring is the

Feast of Booths (Succoth) in autumn. This, too, begins at full

moon in the first month of the season; this, too, is a harvest

festival; and this, too, is observed for eight days. Moreover,

just as Passover marks the beginning of the summer dews, so

Booths marks that of the winter rains.


The original name of the festival was Feast of Ingathering

(Asif); it celebrated the ingathering of summer-crops and fruits

and the close of the agricultural year. The date was at first

variable and indefinite; the feast took place whenever the

harvest happened to be in (Deut. 16:13). Later, however, when the

year came to be determined on an astronomical basis, the Feast of

Ingathering was made to begin either at the autumnal equinox

(Exod. 34:22) or at full moon in the appropriate lunar month. The

latter system is the one which has prevailed in Jewish practice.


(It was always set by the Lord within the calendar that the

elders of Israel formulated. So it still is to this very day set

by the Jewish calendar - Keith Hunt)



     The Feast of Ingathering was really but the concluding stage

of a longer festive season, the three principal moments of which

were: (a) the Memorial; (b) the Day of Purgation; and (c) the

harvest-home. The two former stages are now represented

respectively by New Year, on the first day of the lunar month,

and by the Day of Atonement, on the tenth. Prefaced by these two

solemn occasions, on which all noxious and evil influences are

ceremonially removed, the Feast of Ingathering marked both the

successful issue of the preceding year and the "clean start" of

the one which followed. It was therefore regarded as the most

important of all the seasonal festivals, and came to be known as 

"the festival" tout court.


     The principal features of the celebration were: (a) the

actual reaping of crops and fruits and the bringing in of the

vintage; (b) the performance of special ceremonies designed to

induce rainfall; (c) the custom of dwelling in booths (succoth)

or trellis-roofed cabins throughout the period of the festival.

Of these usages the most important was the last, and it was this

that gave the feast its popular name.


THE BOOTHS


     The booths were originally functional in character; they

were simply the wattled cabins in which the harvesters and

vintners were wont to lodge during the time of the ingathering.

Such booths, made of plaited twigs of carob and oleander and

roofed with palm leaves, are still used in the Holy Land

throughout the period (from June to September) when the reaping

is in progress, and it is in this sense that the word "succah" is

usually employed in the Hebrew Bible.


     The primitive ceremonies for inducing rainfall can be

deduced only from a later survival in the days of the Second

Temple. The Mishnah tells us that on every day of the festival a

golden flagon was filled from the neighboring pool of Siloam and

carried to the Temple in gay procession. Delivered to the

officiating priest, it was then poured into a silver container,

the spout of which was trained upon the altar.

     This ceremony, known as the Water Libation (Nissuch

Ha-mayim), has abundant parallels in other parts of the world,

and is based on what is known as "sympathetic magic," that is, on

the primitive notion that things done by men may induce similar

actions on the part of nature or "the gods." Lucian of Samosata,

writing in the second century C.E., records an analogous practice

performed twice yearly in the pagan temple at Hierapolis

(Membij), Syria; while at Ispahan, in Iran, there is (or was) an

annual ceremony of rain-making which consisted in pouring water

on the ground; and in many parts of modern Palestine, rogations

for rain, accompanied by the ceremonial drenching of a little

girl known as "Mother Shower," are a common element of folk usage

in early spring. Interesting also is a more remote parallel from

the Mara tribe of northern Australia. In time of drought, the

local magician besprinkles himself with water and scatters drops

of it on the ground; this, it is believed, will induce rainfall.

The Mishnah likewise preserves the record of another magical

ceremony which would seem to go back to the  primitive observance

of the festival. On the evening of the first day, we are told,

men repaired to the precincts of the Temple in Jerusalem and lit

huge candelabra in the Court of the Women. "Men of piety and good

works" danced in front of them, waving burning torches, while

a throng of Levites, standing on the fifteen steps which divided

the Court of the Women from that of the Israelites, furnished

accompanying music. At the Nicanor Gate stood priests, holding

trumpets. At cockcrow, they ascended the steps and sounded a

series of prolonged and quavering blasts. When they reached the

gate which leads out to the east, they turned their faces

westward, in the direction of the Temple building, and cried:

"Our forefathers, when they were in this place, turned their

backs to the Temple of the Lord and their faces toward the rising

sun in the east [cf. Ezek. 8:16], but we - our eyes are turned

toward the Lord."


     This ceremony-known as the Rejoicing at the Beth Ha-Shoebah

- was originally a magical rite, its purpose being to rekindle

the decadent sun at the time of the autumnal equinox and to hail

it when it rose at dawn. Such a ceremony is likewise recorded by

Lucian, and a Christianized survival of it may be recognized in

the Festival of the Cross (Maskal) still observed by the

Ethiopian Church on September 26. Elsewhere, however, it is

usually combined with the idea of burning up all evil and harmful

influences at the start of the agricultural year. Thus, at Fez

and amid the Berber tribes of Morocco, it is customary to light

bonfires on the rooftops on the festival of 'Ashura, the

Mohammedan New Year, and for children and unmarried men to leap

through the flames while they say "We have shaken out over thee,

O bonfire, the fleas and lice and sickness both of body and of

soul!" The same custom obtains also in Tunis. Analogously, an

ancient Babylonian text which describes the ceremonies of the New

Year festival refers to the custom of tossing firebrands in the

air; Ovid tells us that the Romans leaped over fires and raced

through the fields with blazing torches at the beginning of the

year. To this day, bonfires are a standard feature of Halloween

ceremonies in most parts of Europe, and Halloween was, of course,

the eve of the ancient New Year.


(And so the Jews were influenced by pagan nations and their so-

called "quaint" customs, and adopted and added and adapted such,

to their festivals - Keith Hunt)



     For Israel, this purely agricultural aspect of the festival

was not enough. Like Passover and Pentecost, so too the Feast of

Booths had to possess a historical as well as a seasonal

significance; it had to exemplify the presence of God not only in

the world of nature but also in that of event; and it had in some

way to symbolize and epitomize Israel's continuing covenant with

Him.

     The transformation was accomplished by an ingenious device:


the traditional booths were interpreted as a reminder of those in

which the ancestors of Israel had dwelt when they wandered

through the wilderness on their journey from Egypt to the

Promised Land! The festival thus became a logical sequel to

Passover and Pentecost, which commemorated respectively the

escape from bondage and the conclusion of the Covenant at Sinai.

Moreover, by themselves dwelling in booths at this season, each

successive generation of Jews could be said to be sharing in that

experience and thereby endowing it with a perpetual character.

This interpretation was, of course, purely fanciful; the cold

fact is that people who wander through deserts live in tents, not

booths, wood and green leaves being unavailable except at rare

and intermittent oases. To be sure, the point is not really

important; the "myth" which is woven around a traditional

institution is usually more indebted to fancy than to fact, and

its validity lies not in its historical accuracy or authenticity

but in the transcendental truths which it focuses and conveys.

Nevertheless, throughout the ages Jewish scholars and teachers

felt a little uneasy about the story of the booths in the

wilderness, and alternative interpretations were therefore

propounded.


(A good point - the Israelites in the wilderness would have had

tents, but the writer fails to see that some instructions for

this celebration was for the time that Israel inherited the

Promised land note Lev.23:40 and context. So yes, God already

made provision for when they would be in the promised land -

Keith Hunt)



     It was observed, for instance, that in sundry passages of

the Bible, the word succah - or, more precisely, its masculine

equivalent, sok-serves, by poetic metaphor, to denote the temple

of God in Jerusalem, and that both the First and Second Temples

are said expressly to have been dedicated at the Feast of Booths.

This at once suggested that the seasonal booths might be regarded

as a symbol of that holy habitation. The idea finds repeated

expression in the traditional liturgy of the festival. Typical is

a medieval hymn chanted during the morning service of the first

day, in which a sustained contrast is drawn between the heavenly

and earthly tabernacles. The poem is full of recondite allusions

and quaint conceits, but its general spirit and tenor may perhaps

be conveyed by the following partial and paraphrastic rendering.


Where flaming angels walk in pride, 

Where ministers of light abide, 

Where cavalries of heaven ride, 

Where souls have rest at eventide, 

There, 'mid the sapphire and the gold, 

God's tabernacle rose of old.


Yet here, as in a mead aflower, 

Here, as in a bridal bower,

Here, where songs of praise and power, 

Wreathe Him, every day and hour, 

Here, in an earthly booth as well 

His glory did not spurn to dwell. 1

......


1 Az hayethah hanayath sukko, by Eleazar Kalir; Adler-Davis,

Taber-nacles, p.212.

......



     In the same way, in a poem recited on the eve of the second

day, the ruined Temple is likened to a booth fallen to pieces:


Thy tabernacle which is fallen down 

Rebuild, O Lord, and raise it once again!



     Alternatively, the succah was given a continuing historical

meaning by being identified with the protective providence of

God, spread like a pavilion over His chosen people. Says the same

poem, in reference to the Exodus from Egypt:


Thy cloud enfolded them, as if that they 

Were shelter'd in a booth; redeem'd and free, 

They saw Thy glory as a canopy

Spread o'er them as they marched upon their way.

And when dryshod they through the sea had gone, 

They praised Thee and proclaimed Thy unity; 

And all the angels sang the antiphon,

And lifted up their voices unto Thee.

"Our Rock, our Savior He" - thus did they sing

"World without end the Lord shall reign as King!" 2



     Whatever meaning be given to it, Jewish tradition iinsists

that the seasonal succah must be in every sense a true booth; no

mere token substitute will do. Specifications are laid down

clearly in the Mishnah. The succah must not be lower than five

feet, nor higher than thirty; and it must possess at least three

sides. It may not be roofed with matting or burlap, but only with

lightly strewn leaves or straw. It must be exposed to the

elements and to a view of the stars. Moreover, since the task of

erecting it is regarded as an essential part of the commandment,

no permanent structure may serve.

......


2 "Yephi ananechd," by Jehiel ben Isaac (XIIIth cent.);

Adler-Davis, p.218.

......



     The duty of eating and sleeping in the succah is incumbent

upon all adult males; women and minors alone are exempt. Since,

however, it is often impossible to observe this rule in modern

cities, modifications of it have been introduced. According to

some authorities, at least one meal must be taken in the booth

each day and each night of the festival; according to others, it

is sufficient if one eats in the succah on the first night only.

In either case, nothing must be done to lessen the discomfort or

even hardship which may attend the observance; rain water, for

instance, may be baled out only if it "threatens to spoil the

gruel"!


(I have shown and proved in other studies that the physical

attachments to this feast are no longer an issue under the New

Covenant. The "spirit and heart" of the matter is today the MOST

important aspect of this festival. Those living in Greenland and

other northerly countries or the arctic circle, would find trying

to live in such a make-shift booth enough to quench any

enthusiasm for this feast, especially for children, the elderly,

and the un-cobverted - Keith Hunt)



     But the booth was not the only feature of the earlier pagan

festival which the genius of Israel transformed and transmuted.


(No, while pagan nations did have their fall festivals to their

gods, this Feast celbration was directly ordained of God. Some

pagan people, under the influence of Satan the Devil do "copy"

God's feasts, some very close to the same time; i.e. Sunday

observance, right next to the Lord's Sabbath day, of the 7th day

of the week - Keith Hunt)



     The Biblical commandment ordains that "ye shall take you, on

the first day, the fruit of a goodly tree, palm-branches, foliage

of leafy trees, and willows of the brook, and ye shall rejoice

seven days before Jehovah your God" (Lev. 23:40). What is

envisaged is evidently no more than the carrying of a gay bunch

such as is borne by revelers at harvest festivals in many parts

of the world. The most obvious example is, of course, the

European maypole, in spring, for although this was later

conventionalized as a single beribboned post set up on the

village green, it was originally a green bough carried by each of

the revelers in token of nature's revival. In Cornwall, England,

for example, doors and porches used to be decked on May Morn with

boughs of sycamore and hawthorn; in Sweden and in parts of Alsace

boys and girls used to march around the villages carrying festive

bunches. Nor are such usages unattested in ancient times. At the

beginning of spring, it was customary in ancient Greece for

children to make the rounds of houses in the manner of modern

carol singers, bearing a leafy bough and chanting an appropriate

ditty; and the carrying of wands (thyrsoi) wreathed with fresh

leaves and topped with pine cones was a prominent feature of the

winter festival of Dionysus. Moreover, on a Cretan seal dating

from the second millenium B.C.E., suppliants of a female deity

are portrayed bearing flowering wands; while the prophet Ezekiel,

satirizing the pagan "abominations" performed in Jerusalem during

high summer, observes significantly, "The rod has blossomed -

arrogance has flowered" (7:10).


     In Jewish tradition, however, the festive branch and bunch

(called lulab) was invested at once with a historical as well as

a seasonal significance. The various ingredients of the bunch -

somewhat arbitrarily identified as the beautiful but scentless

palm branch, the beautiful and fragrant citron (ethrog), the

humble but sweet-smelling myrtle, and the simple, unprepossessing

willows - were taken to symbolize the characters and virtues of

the ancient patriarchs, and when they were carried in procession

around the synagogue during the morning services of the festival,

this was regarded as a memorial of the circuits which the priests

used to make around the altar on the Feast of Booths. Moreover,

the ceremony came to be accompanied by the chanting of

hosha'anoth--that is, of poetic litanies punctuated by the

refrain Hosanna (O save us!), and to this day these litanies are

associated specifically with incidents in the lives and careers

of the patriarchs and of other ancestral worthies.


     On the first day, God is invoked to remember all those inci-

dents which involved the number one, e.g., the fact that Abraham

had been the one true believer in his generation; that Isaac had

been delivered from sacrifice by the substitution of "one ram

caught in a thicket" (Gen. 22:13); that Moses had transmitted to

Israel the one true Law. 

     On the second day, reference is made to Abraham's journey to

Mount Moriah in the company of two servants (Gen. 22:3); to

Isaac's having been the ancestor of two great nations; to Jacob's

having acquired the parental blessing by dressing two kids for

his aged father (Gen. 27:9); and to Moses' having brought down

from Sinai two tables of stone. 

     On the third day, the litany alludes to the three angels

whom Abraham (Gen. 18:2); to Moses' having formed a triad with

Aaron and Miriam; and to his having divided the people into the

threefold division of priests, Levites and Israelites.


     Dexterously, and sometimes even tortuously, the same scheme

is carried through for the remaining days of the festival. On the

seventh day - known as "Hoshanna Rabba," or the Great Hosanna

example, when seven circuits are made, not only do these

commemorate the seven worthies, Abraham, Isaac and Jacob, Moses

and Aaron, Phineas and David, but they also serve to call to mind

the first seven days of the world; the seven lambs set apart by

Abraham in his covenant with Abimelech at the well of Beersheba

(Gen. 21:28); the seven years of famine endured by Jacob; and the

seven-day festivals ordained by Moses.


     Thus, although in itself not so readily capable of

historicization as is the succah, the lulab is nonetheless

securely wedded to the historical interpretation of the festival.

     The same process was applied also to the ceremony of the

Water Libation. All that now remains of the ancient rite is the

custom of offering special prayers for rain on the eighth day of

the festival, the cantor or precentor being usually attired for

the occasion in the same long white robe (kittel) which he wears

on Passover during the recital of the prayers for dew and which

he also dons on New Year and the Day of Atonement. These prayers,

however, have been thoroughly integrated with the historical

aspect of the festival. The rain is besought in the name of such

ancestral heroes as Abraham, Isaac, and Moses, and God is invoked

to remember all those moments of their careers in which water

played a part. The following lines from a medieval poem embodied

in the Ashkenazic (German-Polish) liturgy will serve to

illustrate the pattern: 3


Remember him whose heart outflowed to Thee 

Like water; unto whom Thy blessing came 

That he should thrive and flourish like a tree 

Beside a stream; whom Thou didst save from flame 

And water; that his offspring might abide

Like seed which grows the running brooks beside.


Remember him whose birth was heralded 

By angels, when his father washed their feet 

With water; 4  who his blood would fain have shed 

Like water; 5  whom his servitors did greet

With tales of water found where none before 

Had e'er been sighted in the days of yore. 6


Remember him who from the river deep

Was drawn; of whom the seven maidens said: 

"Water he drew for us and gave our sheep

To drink;" 7  who through the torrid desert led

......


3 "Zeehor ab" by Eleazar Kalir; Adler-Davis, p.138. `

4 Compare Gen. 18:1-4.

5 i.e., when he was destined for sacrifice on Mount Moriah (Gen. 


  22). 

6 Compare Gen. 26:19-22, 32.

7 i.e., the seven daughters of Reuel (or Jethro); cf. Exod.      


  2:16-18.

......



Thy people and, himself for this accurs'd, 

Struck water from the rock to slake their thirst.



     At the same time, the Jewish genius insists that history is

a living and continuing experience, and not merely a remembrance

of things past. The ceremony is therefore wedded also to the

present and immediate situation of the Jewish people, for the

poem concludes:


Remember them for whom Thou didst divide 

The sea, and sweet the bitter waters make; 

Whose children's children, beaten and decried, 

Pour out their blood like water for Thy sake! 

Turn Thou to us, O Lord, and make us whole; 

For lo, great waters swirl about our soul!



PRESENT AND FUTURE


     As in the case of Passover and Pentecost, so, too, in that

of the Feast of Booths, the seasonal and historical aspects of

the festival are made to run parallel, so that the same truths

may be expressed concurrently on two different planes. The

essential point about the festival, alike in its seasonal and in

its historical aspect, is that what it celebrates is not an

achievement but a prospect, not something finally accomplished

but something which has been but begun and the consummation of

which lies in the future. 


     On the seasonal plane, the Feast of Booths marks the

ingathering of the harvest and the onset of the rains; but the

harvest is consumed only in the ensuing months, and when the

festival actually takes place, none but the first token drops of

rain have yet fallen. 

     Similarly, on the historical plane, the festival

commemorates not the actual entry of the Israelites into the

Promised Land but the fact that, in the sure and certain hope of

it, they wandered in a wilderness for forty years, protected only

by the shelter of fragile booths.


All of these ideas are caught up and reflected not only in the

poems and hymns interspersed throughout the liturgy, but also -

and more strikingly - in the lessons from the Law and the

Prophets which are appointed to be read during the morning

services.


     On the first end second-days of the festival, two portions

are read from the Law. The first is taken from that section of

the Book of Leviticus (22:26--33:44) in which the seasonal feasts

are ordained. It is here that the succah is explained as a

memorial of the booths in the wilderness, and it is here too that

the carrying of the festive bunch is prescribed. The other

portion is taken from Numbers 29:12-16 and describes the special

sacrifices offered in the tabernacle and the temple on the first

day of the feast.


     The Lesson from the prophets is the fourteenth chapter of

the Book of Zechariah. The ostensible reason for this choice is

that the prophet there foretells how, in days to come, "every one

that is left of all the nations that came up against Jerusalem

shall go up from year to year to worship the King, the Lord of

Hosts, and to keep the feast of booths" (vs.16). It would appear,

however, that there is really far more behind the selection than

this single passing allusion to the festival; for the fact is

that throughout the chapter the prophet seems to be playing on

the characteristic phenomena of this season, as if he were

delivering a sermon especially geared to the traditional

ceremonies. Thus, when he says that "on that day . . . there

shall be a singular kind of day (it is known to Jehovah), not day

and not night, for at evening time there shall be light" (vs.7),

it is not difficult to recognize in his words a projection into

mythology of the autumnal equinox at which the Feast of Booths

anciently took place (cf. Exod. 34:22). Similarly, when he goes

on to predict that "in that day, living waters shall go out from

Jerusalem . . . in summer and winter it shall be" (vs.8), and

that "upon those of the families of the earth that go not up to

Jerusalem to worship the King, the Lord of Hosts, there shall be

no rain" (vs.17), he is painting a picture of future times in

terms of the seasonal conditions which obtain at the Feast of

Booths, for that festival falls at a period of the year in which

rain is still scarce and the beds of the rivers have not yet been

replenished and the earth is moistened chiefly by the "perpetual

streams."


     The same tendency to project the features of the festival

into a picture of the future age also characterizes the lessons

chosen for the intermediate sabbath. The portion from the Law

Exod. 33:12--34:26) describes the conclusion of the Covenant at

Sinai and ends by relating to it the observance of the three

great seasonal festivals. The portion from the prophets, however

(Ezek. 38:18--39:16), deals with the war which Jehovah will

wage at the end of days against Gog and Magog. At first sight, it

is difficult to see why the latter passage should have been

selected, for it would seem to have no ostensible bearing upon

the Feast of Booths. If, however, we look more closely, an

extremely interesting fact emerges: the details of the doom which

awaits the opponents of Jehovah can readily be construed as a

projecyion into the future times of several leading features of

the autumn festival.


     It is said, for instance, that Jehovah "will rain upon Gog

and his hordes . . . torrential rains" (38:22); and this message

would, of course, have had significance when it was recited at

the festival, which, in fact, inaugurated the rainy season and on

which, according to a bekief recorded in the Mishnah, "the world

is judged through water." Similarly, the prophet declares that

Jehovah "will send fire on Magog" (39:6) and that "those who

dwell in the cities of Israel will go forth and make fires of the

weapons and burn them" (39:9); and these words would likewise

have sounded with particular effect upon the ears of people who

were actually performing the rite of kindling fires for the

Rejoicing at the Beth Ha-Shoebah. Moreover, when the prophet

further describes how Jehovah "will appoint for Gog a place of

burial in Israel" where "he and all his multitude will be buried"

(39:11), it might De possible to detect an ironic allusion to the

common pagan custom of burying and subsequently disinterring at

this season little dolls and puppets representing the god (or

goddess) of fertility who was believed to die and be resurrected

from year to year.


(I think the latter is stretching it to a degree that does not

need to be stretched. It should be obvious that this passage

being read for this festival of booth, is the overall knowledge

that when the Kingdom of God comes, when Israel is safe and in

peace, the Lord will put down all the enemies of Israel, and if

they try to harm the people of Israel they will be buried even on

Israel's soil - Keith Hunt)



ANOTHER TYPE


     On the other hand, the portion from the prophets selected

for the second day strikes an entirely different note. This

describes be Solomon's dedication of the First Temple on the

Feast of Booths (I Kings 8:2-21). Its primary purpose is thus to

drive home the lesson that the seasonal booth is but a symbol of

that holy habitation lesson which also informs the selection for

the eighth day, when, as a supplement to Deut. 15:19--16:17 (the

laws of the seasonal festivals), the continuation of that

passage, containing Solomon's prayer on the occasion, is recited

(I Kings 8:54-66).

     There were, of course, some features of the earlier pagan

festival which did not lend themselves so readily to

reinterpretation and which were therefore discarded or survived

only in extremely attenuated form. The fire rites, for instance,

disappeared entirely, since it was contrary to Jewish belief to

imagine that men could rekindle the sun or in any way influence

the course of nature. Similarly, all that now remains of the

festival's original connection with the equinox is the custom of

solemnly blessing the sun on the Feast of Booths every twenty

years or so, when the lunar and solar cycles happen to be

completed at about the same time.


(The Jews over time, were willing to drop rites that were

introduced in times past, that had no bearing of the original

Feast of Tanerbacles as prescribed by the Lord under Moses - some

adoptions of pagan customs would be seen very clearly by nations

from whom those customs came, and would bring the Jews under

somewhat of a ridicule and made fun of; some things just had to

be dropped for the overall credit to be given the Jewish people -

Keith Hunt)


  

ONE TRADITION STILL REMAINS


     On the other hand, there is one ancient "functional" rite

which has indeed survived almost unaltered, though so different a

meaning is now read into it that its original purport can no

longer be recognized. This is the custom of "beating hosannas" -

that is, of taking extra twigs and beating off their leaves upon

the lectern during the recital of the Hosanna litanies on the

seventh day. 

     The conventional explanation of this practice is that it

symbolizes the frailty of human lives, which fade and fall "thick

as autumnal leaves which strew the brooks in Vallombrosa." The

truth is, however, that it harks back to a primitive and fairly

universal belief that the willow is a symbol of fertility and to

the consequent custom of beating people with branches of that

tree in order to induce potency and increase. Throughout Europe,

for example, "Easter smacks," administered in this fashion, are a

characteristic feature of the great spring festival. Thus, in

Croatia, those who attend church on this occasion "beat health"

into one another with rods of willow, while in several parts of

Germany and Austria the same practice obtains on St. Stephen's

Day (December 26) or on Holy Innocents' Day (December 28); and in

Russia it is (or was) common on Palm Sunday. In ancient Greek

ritual, at the major seasonal festival, human scapegoats were

beaten with squills of willow or agnus castus in order, at one

and the same time, to beat out sterility and beat in fecundity.

Nor, indeed, was this beating always confined to human beings;

the poet Theocritus informs us that in times of drought the

youths of Arcadia used to smite the statue of the god Pan.


(This book was written in 1952/53 and such customs may have well

gone by the wayside today in those countries mentioned - Keith

Hunt)



     It must be confessed that of the three seasonal festivals

which punctuate the Jewish year, the Feast of Booths has suffered

most from the conditions of modern life and that, for all the

tenacity of its observance, it is the one which possesses for the

modern Jew the least contemporary relevance.


     The first reason for this is purely practical.


     Traditionally, as we have seen, the principal feature of the

festival is the erection of the succah in the precincts of one's

own home. This was intended not only to commemorate the

experience of the ancient Israelites but also to provide their

living descendants with a means of sharing in it. In most modern

cities, however, this is obviously impossible, and the

conventional substitute is a communal succah set up in the

courtyard of the synagogue. But this involves not only a

curtailment of the traditional rite but also an attenuation of

its significance. In the first place, the element of personal

labor and construction disappears altogether; the succah is put

up by paid employees or professional contractors. Second,

although the matrons of the congregation may indeed foregather, a

few days before the festival, to deck the structure with fruits

and flowers, in cities where most people live in apartments

rather than in private houses these do not, as a rule, represent

offerings from their own gardens or orchards, but are simply

bought for cash at the local greengrocer and florist. Last, a

perfunctory visit to the succah after the synagogue service is

obviously no substitute for actually living and sleeping in it:

what should be a reproduction of ancestral hardship becomes mere

attendance at a social function, and the succah itself is reduced

to an artistic showpiece. Small wonder, then, that the festival

loses its personal immediacy.


(For the true Christian it does not loose its personal touch, not

at all. The physical symbols, like many things under the Old

Covenant, are the least important. Some symbols have been changed

i.e. Passover service is now bread and fruit of the vine, as

instituted by Christ Himself. Other physical rites have been

abolished, such as physical circumcision. The physical is the

very least important concern, though some physical remains, like

putting out leaven and eating unleavened bread during the feast

of Unleavened Bread (see 1 Cor.5 and proven in other studies the

NT church did practice this physical part of that Feast); the

spiritual is the key of importance today, the worshipping of God

in spirit and in truth, as Jesus said had come and would continue

[that is found in the gospel of John] - Keith Hunt)



     The other reason for Succoth's decline is ideological.


     Passover and the Feast of Weeks, though geared to particular

events in the past, epitomize and focus elements of Judaism which

continue in the present - namely, the progressive mission and

adventure of Israel, its persistent struggle for freedom, and its

special Covenant with God. In this continuous adventure, in this

struggle and in this Covenant, every Jew in every generation is

personally involved, so that observance of these festivals is a

direct personal experience, part and parcel of his own individual

life, and not a mere act of pious remembering. The Feast of

Booths, on the other hand, seems (apart from its seasonal

significance) to be moored and anchored to a single specific

event, to the particular situation of a particular group at a

particular moment of time. At a distance of more than three

thousand years and miles, the modern Jew finds it difficult to

recognize in the incident of his forefathers' sojourn in booths

anything in the nature of a continuing experience which he can

personally repeat - especially when the historicity of that event

is itself more than doubtful. (What, hummmm, did he say

"doubtful"? Yes he did! Obviously this fellow does not take the

Bible as fully "inspired" - if he did, there would be NO doubt -

Keith Hunt)


     Once again, therefore, the festival degenerates into a mere

survival.


     Viewed in the proper light, however, the Feast of Booths can

indeed possess a continuing significance no whit inferior, and in

fact complementary to, that of the other seasonal festivals. For

if Passover and the Feast of Weeks exemplify, in the stories of

the Exodus and the Covenant, the trials, achievements, and

obligations, first of Israel and then of mankind in general, the

transcendental theme of the Feast of Booths is the persistent

hope and confidence without which all such trials are

insupportable, all such achievements impossible, and all such

obligations unacceptable. Thus interpreted, the festival is

pertinent not only to every generation but also to every

individual. For every individual can at once recognize in it an

experience which is paralleled in his own life; every individual

knows that the only sure sustainment of labor is hope, and that

the Promised Land is reached only after years of wandering. Thus,

too, it becomes clear why the dominant note of the festival is

joy and not austerity, why the Biblical commandment enjoins

especially that "thou shalt be altogether joyful" (Dent. 16:15),

and why the Feast of Booths is known in Jewish tradition as "the

season of our rejoicing."


(Now he gets at the truth of the matter and why this Feast of

Tabernacles IS important to the Christian today, and why is is a

feast of rejoicing. It protrays the GREAT KINGDOM OF GOD ON EARTH

FOR 1,000 YEARS. And all of that I have expounded upon in many

various studies on this Website - Keith Hunt)



     The Feast of Booths is followed immediately by a festival

which is called in the Bible by the name "Azereth." The meaning

of this term (conventionally rendered "Solemn Assembly"), and

hence the original significance of the festival, is quite

uncertain, no explanation of it being given in the Scriptural

text. In the Book of Deuteronomy, however, it is applied also 

(16:8) to the last day of Passover, and in the Mishnah to the

Feast of Weeks, while its Arabic equivalent is today the current

term for Easter. It must therefore have applied in the first

place to some feature of the seasonal celebrations common alike

to the vernal and autumnal harvests. What this feature was can

only be guessed, but seeing that the root of the word azereth

normally means "restrain," it is not impossible that it

originally denoted a day of abstinence and austerity which marked

the end of the reaping and the real beginning of the new

agricultural cycle.

The Festival of Azereth coincides in part with the extra day

which was added to the Feast of Booths. 

......


Note:


This feast and what the author writes concerning it can be found

in another study in this section of the Website.


Why does the author find it difficult to explain the meaning of

this LAST GREAT FEAST? It is because he and thousands of other

religious teachers, do not understand the PLAN of salvation that

the Eternal God is working out here below. That plan is all

explained on this Website.


Keith Hunt


September 2009


POST SCRIPT


IT IS RECORDED BY THE CHRISTIAN JEW EDERSHEIM IN HIS WRITINGS, THAT ON THE 7TH DAY OF THE FEAST OF TABERNACLES, THEY TOOK DOWN THEIR BOOTHS OF SHELTER; THEY KNEW IT WAS NOW THE LAST DAY OF THAT FEAST, AND THE NEXT DAY, A SABBATH DAY, WAS A DIFFERENT FEAST ALTOGETHER.


I HAVE PRESENTED IN OTHER STUDIES A LOT OF WHAT EDERSHEIM HAS WRITTEN.


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