Saturday, December 14, 2013

GOD'S BATTLE MARCHES ON

I'VE  FINISHED  WATCHING  ONE  EPISODE  OF  "TOUCHED  BY  AN  ANGEL"  -  THE  NBC  PROGRAM  OF  SOME  TIME  BACK [I  NOW  HAVE  ALL  9  YEAR  EPISODES]

IT'S  A  TOWN  THAT  IS  IN  SOME  MOURNING  -  A  FINE  MAN,  DID  ALL  KINDS  OF  THINGS  FOR  THE  COMMUNITY;  ONE  WAS  PUTTING  ON  THE  WINTER  FESTIVE  PROGRAM.  HE  WENT  TO  MANHATTAN  ONE  DAY,  FOR  SOMETHING  SPECIAL,  BUT  NOBODY  KNEW  WHAT  IT  WAS.

THE  DAY  HE  LEFT  WAS  SEPTEMBER  11TH  AND  YES  IT  WAS  2001.

HE  NEVER  RETURNED.... THEY,  THE  TOWNS  FOLK,  PRETTY  WELL  KNEW  WHY  HE  NEVER  RETURNED.  BUT  IT  WAS  MONTHS  LATER  HIS  WALLET  WAS  FOUND AT  GROUND  ZERO  -  THEY  KNEW  FOR  SURE  NOW  WHY  HE  DID  NOT  RETURN;  BUT  THEY  DID  NOT  KNOW  WHY  HE  WENT....SOMETHING  SPECIAL  THEY  THOUGHT  FOR  HE  NEVER  WENT  TO  NEW  YORK.

THE  ANGELS  PERSUADED  THE  LADY  MAJOR  THAT  THE  PAGEANT  SHOULD  GO  ON,  EVEN  IF  IT  WAS  JUST  TO  HONOR  THEIR  BELOVED  MAN  WHO  SERVED  AND  DID  SO  MUCH  GOOD  FOR  THEIR  COMMUNITY.

THE  TOWN  PEOPLE  CAME;  THE  PAGEANT  PROCEEDED.

THEN  THE  MAJOR'S  RIGHT  HAND  MAN  CAME  UP  AND  SAID,  THIS  WAS  THE  GIFT  OUR  MAN  WANTED  TO  GIVE  THEM.

YOU  HEARD  SOME  DRUM  BEATS,  THEN  THE  SOUND  OF  A  TRUMPET  CUTTING  THROUGH  THE  AIR  LIKE  A  KNIFE  CUTTING  A  WEDDING  CAKE.  SOFT  VOICES  BEGAN  TO  SING,  AND  A  GROUP  OF  MEN  AND  WOMEN  MARCHED  IN,  THE  SINGING  GOT  LOUDER  AND  LOUDER.

WHAT  WAS  THE  SONG?

AH,  I  LOVE  MANY  FINE  HYMNS,  BUT  THE  SONG  THE  CHOIR  [IT  WAS  THE  MORMON  TABERNACLE  CHOIR,  THE  BELOVED  MAN'S  GIFT  TO  THEM]  WAS  SINGING.....THE  SONG.... I  LOVE  MANY  HYMNS,  BUT  THIS  ONE  HAS  TO  BE  IN  MY TOP  5  HYMNS  OF  ALL  TIME:

BATTLE  HYMN  OF  THE  REPUBLIC

The  words  are:

Mine  eyes  have  seen  the  glory  of  the  coming  of  the  Lord;
He  is  trampling  out  the  vintage  where  the  grapes  of  wrath  are  stored;
He  has  loosed  the  fateful  lightning  of  His  terrible  swift  sword;
His  truth  is  marching  on.

Refrain

Glory, Glory, Hallelujah!  Glory,  Glory  Hallelujah! !
His  truth  is  marching  on

Verse

He  has  sounded  forth  the  trumpet  that  shall  never  sound  retreat;

He  is  sifting  out  the  hearts  of  men  before  the  judgment  seat;
O  be  swift  my  soul  to  answer  Him  be  jubilant  my  feet!
Our  God  is  marching  on.

Refrain

Verse

Sing quietly and  slower:

In  the  beauty  of  the  autumn  Christ  was  born  across  the  sea;
With  a  glory  in  His  bosom  that  transfigures  you  and  me;
[louder]  As  He  died  to  make  men  holy  let  us  live  to  make  men  free!
[loud and original speed]  While  God  is  marching  on.

Refrain

YOU  GET  A  CHOIR  SINGING  THIS  AND  IT  IS  SOUL  STIRRING;  IT  IS  MAGNIFICENT!!

From  the  book  "Spiritual Moments With The Great Hymns"  by  Evelyn Bence


The Battle Hymn of the Republic   

Julia Ward Howe, 1819-1910


Mine eyes have seen the glory of the coming of the Lord;
He is trampling out the vintage where the grapes of wrath are stored.


        Julia Ward Howe had an eye for spotting injustice, evil, man's inhumanity to man. From Boston she and her husband, Samuel, edited The Commonwealth, an abolitionist (Free Soil) paper.
They did more than print words. They helped fugitive slaves. As a young man Dr. Howe, a surgeon, had gone to Greece to help with "war relief"; he was the first director of America's first school for the blind. And Mrs. Howe was the first president of the New England Woman Suffrage Association. They supported Dorothea Dix in her campaign for social reforms on behalf of the mentally ill. Dr. and Mrs. Howe— among the cultural elite of their day—identified a long list of social wrongs in need of righting.
And their God was growing impatient, angry—"on the march"—because good Christian men and women were not.
Julia wrote "Mine Eyes Have Seen the Glory" at the prompting of a pastor friend. In April 1861 Confederate troops had attacked Fort Sumter in South Carolina. Lincoln had mustered federal troops and called for a naval blockade of Southern states. In July Union soldiers had run in retreat out of Manassas, Virginia, just west of Washington. A "rebellion" was beginning to look like war. In December the Howes, their friend, and the governor of Massachusetts traveled to Washington. On that trip they were invited to visit and review troops camping outside the District. The guests spent the night in a tent, near soldiers sitting at campfires singing the popular "John Brown's Body." It seems the pastor noted that such a good tune deserved more inspiring words. Might Mrs. Howe—an established poet— want to work up something better? That very night—writing in the dark, unable to sleep—she "saw the glory"; the Lord had "loosed the fateful lightning of his terrible swift sword."
In February 1862 the six-verse poem (two verses are virtually never printed) was published in the Atlantic Monthly, where an editor titled it "The Battle Hymn of the Republic." A Union chaplain taught the song to troops, and it swept the North like an epidemic.
I marvel at the survival of this highly unusual, graphic song: God trampling grapes of wrath (see Isaiah 63), sifting hearts, marshaling a menacing army; you'd better watch out. It's staying power might be credited to its powerful melody. But you don't hear the Mormon Tabernacle Choir belting out "John Brown's Body." There's something deeper that speaks to singers and hearers who see injustice and want someone— maybe God, maybe their politicians—to do something to stop it. (The injustice, of course, is always caused by some "other"— an enemy with whom God is angry—not by me or mine.)
It's not surprising that this song crept into Martin Luther King's speeches. The historic march from Selma to Montgomery ended with a King speech now titled "Our God Is Marching On!" And his last public words—the conclusion of a sermon delivered the night before he died—were "I'm not fearing any man. Mine eyes have seen the glory of the coming of the Lord."3 The end of Howe's hymn—as dramatically sung by choirs at state occasions—grows calm as a holy night:

In the beauty of the lilies Christ was born across the sea, With a glory in his bosom
that transfigures you and me;
And then you and I—the transformed ones—are challenged by a trick phrasing:

As [Christ] died to make men holy; let us live to make men free.
Let it sink in: Howe isn't calling us to make the world holy; that's God's job. She says our work is about freedom and justice. But there's more: though Howe's wartime original read, "Let us die to make men free," editors long ago changed a word; the song as we now sing it doesn't suggest we die; it dares us to live out the campaign for justice and truth. Doing good. Confronting wrong. Speaking out and standing in for the poor and oppressed. Setting wrongs right. Putting one foot in front of the other.
And I suggest we are able to keep our stride in that freedom march only as we step behind the Lord's blaring trumpet, being fully assured that it "shall never call retreat."
After all, our God is marching on.
-
Lord, make me sensitive to the injustices I seethe ways my fellow brothers and sisters are held captive by the bureaucracies we create that dehumanize men, women, and children whom you created and for whom you died. Help me to see where I can live to make men and women free. But seeing isn't enough. Give me the desire and grace to actto live out the commission to act justly and love mercy and walk humbly.
.....................








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